
Сообщение от
RаntаN
http://ru.m.wikipedia.org/wiki/Австралийские_аборигены
Два примера - папуасы (хотя это было использовано скорее иносказательно) и австралийские бушмены (это название было использовано дабы избежать путаницы с жителями цивилизованной части Австралии).
Так шо Вы там насчет негров?...

Да, по поводу австралийских бушменов я таки был неправ... Они там есть, но это никак не австралийские аборигены.
http://www.cultureandrecreation.gov.au/articles/bush/
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Romantic idealism, 1890s - The 'bushman'
Kerry Reed-Gilbert, Strength Dignity Pride, from exhibition Sacred Country Unwrapped, 2007. Courtesy of Collector Gallery Artspace and Bookshop.
The 1890s saw a continued increase in nationalism and with it the creation of the Australian bush legend - an extension of the goldfield legend. The characters of the bush were imbued with the same qualities that the diggers on the goldfields possessed.
Around 1900, the bush was seen as the foundation of nation's greatness when the features of bush life - sleeping in the open air, learning to ride and shoot, fighting bushfires - were seen to prepare people for battle. This fused Australia's bush and military traditions when it seemed to prove itself with the ANZACs in World War I. The 'bushman' was seen as a resourceful, independent man who trusted only his mates.
The bush was a symbol for a national life and yet, by 1910, most Australians were urban. The bush myth has endured as novelists, poets, and artists continue to use it for inspiration. Elements of bush culture have been absorbed into mainstream Australian life through music, pop songs, clothing, slang, arts and architecture.
Painters
The 'plein air' painters, 1880s - 1890s
The painters of the Heidelberg School - the likes of Tom Roberts, Frederick McCubbin Charles Condor, Hans Heysen and Arthur Streeton - were the first Australian painters to attempt to capture a 'momentary effect' in the Australian landscape with a 'general impression of colour'. They were seen to capture the light, colour and mood of the Austrralian bush. Along with the bush poets and writers, they formed a clear expression of Australian identity.
Frederick McCubbin (1855-1917), Lost, 1886, oil on canvas. Image courtesy of National Gallery of Victoria: Accession no. 1077-4, Felton Bequest, 1940.
The story of children lost in the bush has had a long tradition in written and illustrated form. For example,
McCubbin's painting Lost in 1886 was created after twelve-year-old Clara Crosbie was lost in the bush near Lilydale in 1885, but found alive three weeks later.
The painting shows a radical departure in theme, layout and painting technique from earlier Australian landscape art with its wide heroic panoramas. ... Lost, with its lack of specific detail, forms a soft veil which appears to block any means of escape for the young girl. The foreground is painted in sharp focus, with grass, twigs and thin gum trees forming a barrier, confirming the girl in an almost natural prison.
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