Тема: 
The fourth album by Sweden’s Anna von Hausswolff grapples with mortality, but the music is far from morose. In fact, Dead Magic is possibly her most triumphant release to date, offering uplifting crescendos propelled by rising rhythms, swelling guitars, and von Hausswolff’s seemingly-unlimited vocal powers. It helps that von Hausswolf recorded the organ parts in one of the largest churches in Scandinavia, giving the album’s cathartic bombast and even more epic feel. But it’s not the tools von Hausswolf used that make Dead Magic so intoxicating; it’s the transfixing vision and unswerving commitment she brings to every note that she utters.
Ответить с цитированием
Социальные закладки